From the collection of Lev & Linda Ropes.
Private collector.
Private collector.
Corporate collection, Sea World Aviculture Department.
From the collection of Mr. Robert Weber.
Private Commissions:
All art copyright (c) Mike Kloepfer
"The level of achievement that we have at anything is a reflection of how well we were able to focus on it." -Steve Vai
"The level of achievement that we have at anything is a reflection of how well we were able to focus on it." -Steve Vai
Monday, June 29, 2009
Wednesday, June 10, 2009
Hershey
A commissioned piece for a client; a birthday present for her friend.
Both the horses are named Hershey.
The story of the two 'Hershey's is a fascinating tale of love, loss, and reunion.
Two Hersheys
Charcoal, 14x17"
Here is how the piece progressed.
First, I covered the entire surface with charcoal 'dust' from ground charcoal. Then, I lifted the general highlights out with a kneaded eraser, and laid in the general dark areas with vine charcoal.
Then I began laying in the general details in charcoal and lifting out more highlights with the eraser.
I developed the left side first, then the right, in order to prevent smudging. (I'm right-handed.)
Then I began to develop the right side.
After that, it was a process of push-pull; darken with charcoal, lift out the lights with the eraser. I used a paper stomp, but not to blend; rather, I used it to lift out light areas that were more subtle, where the eraser would be too drastic.
At this point, I began to develop the values in the background.
And finally, laying in the darkest darks and final adjustments of the background values.
Both the horses are named Hershey.
The story of the two 'Hershey's is a fascinating tale of love, loss, and reunion.
Two Hersheys
Charcoal, 14x17"
Here is how the piece progressed.
First, I covered the entire surface with charcoal 'dust' from ground charcoal. Then, I lifted the general highlights out with a kneaded eraser, and laid in the general dark areas with vine charcoal.
Then I began laying in the general details in charcoal and lifting out more highlights with the eraser.
I developed the left side first, then the right, in order to prevent smudging. (I'm right-handed.)
Then I began to develop the right side.
After that, it was a process of push-pull; darken with charcoal, lift out the lights with the eraser. I used a paper stomp, but not to blend; rather, I used it to lift out light areas that were more subtle, where the eraser would be too drastic.
At this point, I began to develop the values in the background.
And finally, laying in the darkest darks and final adjustments of the background values.
Subscribe to:
Posts (Atom)