THE GRIDS - for my fellow artists

I was discussing an exercise with fellow artist Michael Rosenbaum at *LoL* Caricature Co.
This morning I woke up out of a sound sleep with the urge to post the exercise, and the printable documents, on my blog for all of my fellow artists to experiment with and enjoy.
I first got the idea when watching the video podcast series Little Creatures from Bobby Chiu. (I love Bobby's creature designs, and I thoroughly enjoy his pod casts, watching him draw and listening to him talk about his ideas, process, etc.)

Bobby Chiu - Little Creatures Part 1 of 3
Click HERE to see the first video
(I highly recommend it!)

Little Creatures Part 2 of 3
Click HERE to watch the video

Little Creatures Part 3 of 3
Click HERE to watch the video
(The bonus of watching the videos is
Bobby's inspirational talk about not giving up!)

In the video, Bobby talks while he fills a page with tiny 1x1" thumbnail sketches. I loved the idea, so I adapted it to my traditional drawing media.

The process of thumbnail sketches is nothing new; however, his is the first time I have found a way to approach it that works for me.

The great thing about this exercise is that it is FAST. I can knock out a whole page of thumbnails in a very short time. And by doing so, I can try out as many variations on a theme as I can think of - and I was surprised how many I could think of!!! It really gets my creative wheels turning. And since the images are so small, there's no room for excessive fiddling around. Just get the idea down.
It's all about the broad, general shapes, overall proportions, the design, and the balance - not about the details.
[When the overall design is solid, the details you choose to include have more impact. It allows you to be much more selective about which elements you really want to include in a piece, and the entire piece becomes more compelling.]

My initial goal is to fill an entire page with a single idea or concept - that's 48 thumbnail sketches! It's much more constructive to pick the best from 48 tiny sketches than it is to just 'steamroll' through the first idea that pops into my head. Sometimes, the first idea is the best, sometimes it isn't. This way, I have options - lots of them! Sometimes, the idea that should not work at all winds up being the one that I like the best.
Filling a page with a single idea is not always easy. Sometimes, one idea leads to another, and that leads to another... When that happens, I just follow the flow. That is when it gets really fun! In an hour, I can come up with several brand-new ideas or concepts, and dozens of variations of each one. This leads to some cool "ah-ha!" moments. It's fun to see where ideas lead.

Now, when I have an idea or concept that I like, I can run it through this process and work through all the variations, permutations, good ideas, bad ideas, boring ideas, brilliant ideas... until I come up with enough thumbnails to pick and choose the one(s) that will be the best to continue developing.

Here is GRID 1:

Grid 1, aka The 1x1" GRID - Black
[Click HERE to open
a printable .pdf file]

Grid 1, aka The 1x1" Grid - Gray
[Click HERE to open
a printable .pdf file]

Click on the links shown to open a downloadable, printable .pdf version.
There are two basic grids, and each come in two versions.
  1. The one I use is the black version, I just slip it under a sheet of cheap copy paper and I can see my grid well enough to do the exercise.*
  2. I also produced the gray version, which you can print, and draw directly on top of.  The grid is 25% black, so it is visible yet faint. It's the same effect as the black version showing through the page underneath.
* One of the reasons that I use cheap copy paper is that it is less intimidating. I have nothing to lose if an idea doesn't work, because I'm not wasting expensive materials... it's just cheap copy paper. This frees my mind to try things, be adventurous, sometimes ridiculous even... and expect the unexpected! All of the ideas feed into the larger cauldron of creativity.

So here's the exercise:
GRID 1:

• Have several sheets of paper and a black grid handy, or several printed sheets of the gray grid. 
• Take a simple idea or object, say in this instance a basic face shape.
• Create as many variations as you can until the entire page is filled.
• Don't spend too much time on any single idea - no more than a couple minutes, then on to the next one! (The idea is to build creative momentum.)
• There are no limits! If you have an idea, try it - no matter how far-out or exotic. 
• If you fill the page and have more ideas, grab another page and keep going!

Want to try moving, stretching, or altering the shapes? Go ahead! If, for instance, I have a face and want to try to move the nose up, I'll work through all of the possibilities - up, down, left, right, corner to corner, any variation I can think of. I get to see which ones actually work the best, without having to commit a lot of time and energy to any of them. Sometimes, I combine ideas from several thumbnails.

You can use this exercise for any design/illustration/drawing concept.

Here is an example from my own sketches. I saw a picture of an animal skull that looked like an alien head... so I grabbed a sheet of paper and a grid and popped out a whole page on the theme of a fantasy creature skull:

03/29/14
Skulls - 1" thumbnails

The cool thing for me is to look back and see the progression. It starts with a couple of literal sketches, then I start 'clicking.' I start taking the same five basic elements - 'brain pan', eye sockets, nasal cavity, teeth, and jaw - and combining them in as many ways as I can think of at that time. By the time I got halfway down the page, the thumbnails became more adventurous. The bottom half of the page contains thumbnails that are stronger and contain better design elements than the first few literal drawings.
There are at least two ways to vary any element in a thumbnail, usually more.Try all the variations you can imagine: up, down, left, right, diagonal, big, small, curved, flat, straight, crooked, etc. 
Don't worry about the fiddly stuff. Simplify, get to the heart of the idea, play around, have some fun, and get creative! You may be surprised at the cool things you come up with - I constantly am!

This exercise is particularly useful for caricature artists. Combining exaggeration with minimization, amplification with understatement, is the heart of caricature. There are endless ways to push and pull features on the face. Playing around with features in a 1x1" grid can be a great way to get your creative wheels turning.

GRID 2:
I got the idea for this variation when I watched the video Environmental Design I with James Paick.
 

Environmental Design I with James Paick
Click HERE to watch the video.

More from Environmental Design I
with James Paick

More from Environmental Design I
with James Paick

Here is GRID 2:

Grid 2 - Color
[Click HERE to open
a printable .pdf file]

Grid 2 - Gray
[Click HERE to open
a printable .pdf file]

It's the same as with the 1x1" grids, but this version is better suited for working through compositional variations for a drawing or painting. Move elements around, vary the placement, size and shapes, etc.

A sample page of thumbnail sketches
using Grid 2.

A partial page of thumbnails using Grid 2.

Once I worked with both Grids and got comfortable with them, I started to combine Grid 2 with smaller Grid 1-like divisions. This allows me to explore all kinds of layout variations - horizontal, vertical, varying diagonals, etc. You can even see where I filled a tiny horizontal space with a tiny panorama. I might never have tried it otherwise, but there was the space, so I gave it a go.

Here, I've combined Grid 2 and Grid 1,
breaking up the larger grid into smaller ones
to work out variations.

Using Grid 1 and Grid 2 together - 
a fast way to get a lot of ideas down.

Here's another variation of the exercise that I got from a video by Nicolas Weis (Dreamworks.) He had an interesting process that he used when working on the concept art for The Croods.
He tried as many variations as he could using three elements: A tree, a rock, and a building.
I took the idea and tried it with a tree, a rock, and a human or animal figure.

Grid 1 - three elements:
-Tree
-Rock
-Figure (human or animal)

It's interesting what you can come up with when you think you've run out of ideas.

Then I saw a picture of a man standing on top of a gigantic tree stump. So I tried the idea with a stump instead of a tree. I varied the grid to accommodate horizontal and vertical compositions, etc.

Three elements:
-Stump
-Rock
-Figure (human or animal)

I encourage you to try these exercises for yourself, and see what great ideas they lead to!!!

StarFest Sketchbook pages

I thought I'd post some of my sketchbook pages from StarFest 2014.
It was a fun day, there was way too much to see... great costumes, great characters, some funny, some serious.... some inappropriate, but still entertaining.
I only did a little sketching... I had to stop gawking long enough to sketch.

05/02/14
StarFest sketches 1
Pen, 8.5 x 11"

05/02/14
StarFest sketches 2
Pen, 8.5 x 11"

Look, emulate, learn... and improve!

Sometimes it's beneficial (and fun!) to copy the drawing(s) of an artist whose work I admire. My goal is not to copy, but to learn - get inside the thinking process, and discover first-hand how they construct their drawings - to find out what's going on beneath the surface, so to speak.

I had been admiring the awesome comic artwork of Raul Moreno. So, I thought I'd take a page of his sketches for a spin.

04/28/14
Study of sketches
(after Raul Moreno)
Non-Photo-Blue Pencil
8 1/2 x 11"

Copy of character by
Raul Moreno
Blue ArtStix and Marker
11 x 17"

It's amazing how much more I appreciate his artwork, now that I have gotten down to the nitty-gritty and seen how well-constructed and well-thought-out his characters are. His linework is great, but it's the construction of the characters that allows his linework to really shine.

One thing I learned from the exercise is that the simpler and stronger the shapes of the underlying structure, the more the drawing holds together, the more 'solid' and convincing the forms, and the better the drawing - no matter what 'style' it is rendered in.

04/29/14
Character Sketches
(Penny Dreadful)
8 1/2 x 11"
Pen

Last night I watched the season premier of Penny Dreadful. I thought the show has some potential, and I liked some of the characters. So I sketched on them for a bit.

Victor Frankenstein
(Penny Dreadful)

After the Raul Moreno studies, I took another look at the sketch of Victor. I thought it could be much better, so I redrew it. This time, I paid attention to what I learned from the exercise.
And I think it was well worth the extra effort.

04/29/14
Victor Frankenstein
(Penny Dreadful)
Blue ArtStix and Marker
11 x 17"

Victor Frankenstein
(Redraw)
No-Photo-Blue and
HB Pencil
4 x 6"

Horsin' Around with new paints and brushes!

I knew that I'd need to try the new Jo Sonja paints with canvas to get a real feel for how they work. I gotta admit, they are unlike any acrylic paints I've worked with. It will take some time to get the hang of it, but I'm thinking I'll like them. They have their strengths and their weaknesses, just like any medium. And boy, were they ever right when they said "Once the paint gets tacky, just let it dry." The 'open time' is great, and the consistency is super nice - once you get the hang of how to use them.
Once again, I am working with only Burnt Umber and Warm White. It makes for a nice tonal study painting. 
The major lesson I learned today: Clean your brushes between values!
"Be lean and mean - clean in between!"

04/27/14
This is a good stopping place
for tonight.

I'm posting these in reverse order, with the most recent pic first:

04/27/14
Step 5

04/27/14
Step 4

04/27/14
Step 3

04/27/14
Step 2

04///14
A decent start.
Thanks to Chris Legaspi for his
online critique - "Design your values
for your purposes."

Testing out some new paints and brush

I used a small portion of my tax refund to stop by Creative Possibilities and purchase some art supplies.
I love the place, and the folks there are super-awesome.
I picked up a couple tubes of the Jo Sonja Artist Colours acrylic paint (Burnt Umber and Warm White,) and a Loew-Cornell 7040 Round Stroke #2 brush. I have been excited to try them out.
Here is a little tonal study I did using the two colors (Burnt Umber and Warm White) and the new brush, along with a couple of my trusty flats where needed.
Here is what I ended up with. 
I may go back in and work the background a bit, and fiddle with a few details, but I am pretty happy with the paints and the new brush.
I like this paint. It is very 'buttery' coming out of the tube... and it appears to have a long 'open' time. Of course, painting on paper definitely affects the working properties of the paint. I will have to try it on canvas next to really see what it's like to work with.

Looking Back
Acrylic on gessoed Watercolor Paper
5x7"

An artist's point-of-view...

When most people see a photo like this,
they see an underwater photo of
a sea bird catching a fish -
a curiosity of nature...

I'm not like most people.
I see...

A Dragon catching a Great White Shark!

Sketchbook additions

04/21/14
Caricature sketches/variations
of old couple

04/22/14
WH40K sketches

04/23/14
Misc sketches
(Yes, that's a pug that looks
like a loaf of bread.)

THE NEW SKETCHBOOK

I assembled my new sketchbook, inserting a couple different types of paper, drilling the holes and mounting the posts. Now it's ready to take for a spin!

04/17/14
The New Sketchbook

04/18/14
Trying out a variety of pens

04/18/14
Trying the pens on the toned paper